Minggu, 26 Agustus 2012

[I358.Ebook] PDF Download World War II: Student Workbook, by Gene Doremus

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World War II: Student Workbook, by Gene Doremus

For Landry Academy WWII students

  • Sales Rank: #3106673 in Books
  • Published on: 2015-12-21
  • Original language: English
  • Dimensions: 11.00" h x .13" w x 8.50" l,
  • Binding: Paperback
  • 54 pages

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0 of 0 people found the following review helpful.
We love Mr. Doremus!
By Amazon Customer
Mr. Doremus is an amazing teacher! This is a great class, and it really helps that he writes his own workbooks. His astronomy class and workbook are excellent as well!

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Rabu, 22 Agustus 2012

[D710.Ebook] Ebook Writing About Dance, by Wendy Oliver

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Writing About Dance, by Wendy Oliver

Writing About Dance guides students through various processes of writing about dance, from the informal (journal writing and free writing) to the formal (critiques, essays, and research papers). When students learn both practical and artistic aspects of writing, they become better critical thinkers and writers as they deepen their understanding of dance technique, dance creativity, and dance as an art form. This book includes

• 14 teacher-tested writing exercises, ranging from reflection to the creative process to writing about dance, that are appropriate for all dance classes;

• rubrics for evaluating critiques, essays, and research papers;

• an appendix that helps students prepare to write dance critiques; and

• easy-to-use checklists to facilitate writing assignments and help students organize their thoughts and address aspects of each type of dance writing.

  • Sales Rank: #131041 in Books
  • Brand: Brand: Human Kinetics
  • Published on: 2010-01-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .50" w x 5.90" l, .75 pounds
  • Binding: Paperback
  • 200 pages
Features
  • Used Book in Good Condition

About the Author

Wendy Oliver, EdD, is a professor of dance in the department of theater, dance, and film at Providence College in Providence, Rhode Island. She has degrees in English, dance, and dance education and has taught dance at the college level for over 20 years. She believes that writing has a place in every dance course and she incorporates dance criticism, dance research, and informal dance writing into her classes on a regular basis.

Oliver worked briefly as a dance critic, and later wrote her dissertation on the teaching of dance criticism at the college level. She has edited three books, and has published dance articles in a variety of books and journals, including the Journal of Dance in Education; Dance Research Journal; and the Journal of Physical Education, Recreation, and Dance. She is an editorial board member for the Journal of Dance in Education and has served on the board for the Congress on Research for Dance. She also served as director of publications for the National Dance Association and is co-coordinator of the Rhode Island Arts Proficiencies in Dance.

Oliver was honored in Who’s Who of American Women in 2008 to 2009 and received the National Dance Association Scholar/Artist Award in 2008. She was also listed in Who’s Who Among America’s Teachers from 2003 to 2006 and received the Dance Educator of the Year Award in 1998 from the Rhode Island AAHPERD.

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1 of 1 people found the following review helpful.
A thoroughly 'user friendly' guide for the non-specialist general reader
By Midwest Book Review
From classical ballet to street corner brake dancing, the art of the dance comes in a seemingly endless variety with new forms being invented (or rediscovered) by each new generation. Writing about dance is a specialized field with its own particular demands. That's why "Writing About Dance" by Wendy Oliver (Professor of Dance and Women's Studies at Providence College) is such an invaluable instructional guide and reference, especially for the novice in the field. Professor Oliver draws upon her many years of experience and expertise to offer practical strategies for developing critical thinking skills when it comes to assessing, understanding, interpreting, and communicating about any form, type, or category of dance. Providing fourteen writing assignments; approaches to creating effective dance critiques, essays, and research papers, "Writing About Dance" is an ideal textbook for formal academic curriculums, as well as a thoroughly 'user friendly' guide for the non-specialist general reader with an interest in writing coherently with respect to dance appreciation. Of special note are the many checklists that will aid in writers organizing their writings on and about dance. Enhanced with an appendix that will provide 'real world' assistance with crafting dance critiques, "Writing About Dance" is a very highly recommended addition to personal, professional, academic, and community library collections.

1 of 1 people found the following review helpful.
Amazed with this purchase
By dancelover
I am very very happy with my purchase. My book came in promptly and in absolutely perfect condition.
It was like I just bought it from the store. I am excited to start reading my brand new book and utilize the lessons in my teaching writing of dance.
Thanks!

1 of 1 people found the following review helpful.
Great Ideas!
By L Williams
This book has fantastic prompts from journals, to research papers, to choreographic analizing, and personal reflection. I have already used some of the ideas with my classes and they have responded very well to them. Good resource.

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Selasa, 14 Agustus 2012

[A668.Ebook] Download Ebook AAEVT's Equine Manual for Veterinary TechniciansFrom Brand: Wiley-Blackwell

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AAEVT's Equine Manual for Veterinary TechniciansFrom Brand: Wiley-Blackwell

AAEVT's Equine Manual for Veterinary Technicians offers a compendium of information on the care and treatment of horses for equine veterinary technicians. Highly accessible and easy to use, the book builds on the basics of equine care to provide a complete reference for equine nursing and technical skills. AAEVT's Equine Manual for Veterinary Technicians is an invaluable guide for qualified equine veterinary technicians and assistants, particularly those earning their equine certification, vet tech students, and equine practices.

  • Sales Rank: #204110 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2009-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .90" w x 7.60" l, 2.29 pounds
  • Binding: Paperback
  • 424 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By helena heffel
great book

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I was more than pleased with the book
By David C. Hall
I was more than pleased with the book. I haven't started my course yet with the holidays here, but am anxiously awaiting to dive in and learn.

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Great Classroom Book
By s hemming
Daughter needed it for class, arrived quickly and was perfect for her classes.

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[H347.Ebook] Get Free Ebook Dora Bruder (Folio (Gallimard)) (French Edition), by Patrick Modiano

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Dora Bruder (Folio (Gallimard)) (French Edition), by Patrick Modiano

In 1988 Patrick Modiano stumbled across an ad between the stock market report and a story of a school visit to Marechal Petain in the personal columns of Paris Soir from December 31, 1941: "We are looking for a young girl, Dora Bruder, 15 years old, five feet tall, round face, gray-brown eyes, gray sportscoat, burgundy pullover, navy blue hat and skirt, brown athletic shoes. Send all information to Mr. and Mrs. Bruder, 41, Boulevard Ornano, Paris."
Placed by the parents of a 15-year-old Jewish girl who had run away from her convent school just before New Year's Eve, this ad set Modiano on a quest to find out everything he could about Dora Bruder and why she ran away from the Catholic boarding school that had been hiding her. He found only one other official mention of her name: on a list of Jews deported from Paris to Auschwitz in September 1942.
With no knowledge of Dora Bruder aside from these two records of disappearances, Modiano continued to dig for fragments from Dora's past. What little he found in official records or through remaining family members, Modiano transforms into a meditation on the immense losses of the period--lost people, lost stories, and lost history. As he tries to find connections to Dora, Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Occupation and the paranoia of the Petain regime. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result is a montage of creative and historical material that unfolds as a moving rumination on loss.

  • Sales Rank: #219218 in Books
  • Brand: Brand: FOLIO
  • Published on: 1999-04-01
  • Original language: French
  • Number of items: 1
  • Dimensions: 6.90" h x .50" w x 4.30" l, .35 pounds
  • Binding: Mass Market Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
"An unforgettable eulogy to a previously unknown Holocaust victim."--"Book Magazine

Language Notes
Text: French

About the Author
Patrick Modiano is one of the most celebrated French novelists of his generation. He has collaborated with Louis Malle on the film "Lacombe Lucien" and has written over fifteen novels.

Most helpful customer reviews

5 of 5 people found the following review helpful.
The Known and the Unknown
By Roger Brunyate
I really wanted to quote the final paragraph of Modiano's novel, which is infinitely more moving in its simplicity than anything that comes before. But I will desist, and leave it for the reader to discover -- not because it gives away secrets, but because it does the opposite, preserving a secret for all time. It is the one gift he can offer to the tragic subject of his writing, a teenage Jewish girl living in Paris at the time of the German Occupation.

So failing that, let me come upon it obliquely, as Modiano himself does. Near the beginning of his book, the author recalls visiting the hospital of the Salp�tri�re in search of his ailing father, whom he had not seen for many years:

"I remember having wandered for hours through the immensity of this vast hospital, looking for him. I went into ancient buildings, passed through wards lined with beds, and questioned nurses who gave me contradictory information. I ended almost doubting my father's very existence as I walked back and forth in front of that majestic church and those unreal buildings, unchanged since the 18th century. They made me think of Manon Lescaut and the time when they served as a prison for prostitutes, under the sinister name of General Hospital, before they were deported to Louisiana. I must have pounded those paved courtyards until dusk. I never saw my father again." [translation mine]

This is paragraph has nothing to do with Modiano's main subject, which is to trace the last months of this girl before her eventual capture. And yet it has everything to do with his motivation and method. It could be said that his entire oeuvre has to do with the search for his father and his failure to find him -- or at least to understand how he could have survived the Occupation as a Jew, unless as a black-marketeer and collaborator with the Germans. His method of inserting himself into the settings of his story, his precise accumulation of detail, his command of the parallels with history and literature, make him into an archaeologist of shame, very much in the manner of WG Sebald, though with documents in place of photographs. The one exception is the winter scene on the cover which sums up the desolate atmosphere of the book in a single shot.*

Like his Prix Goncourt novel, RUE DES BOUTIQUES OBSCURES, but unlike his recently translated trilogy SUSPENDED SENTENCES, I read this in French, and feel it was absolutely essential to do so. Not for Modiano's style, which is direct rather than literary in tone, but the number of original documents he uncovers, whose untranslatable bureaucratic language treats the management of horror as a day's normal business. Modiano's trigger is a mention in a 1941 newspaper that a 15-year-old schoolgirl named Dora Bruder has disappeared. The author knows the area in which her family lived, and revisits the once-familiar streets to soak in the atmosphere. I read with Google Maps zoomed in to various areas of Paris, walking vicariously through the unfamiliar quarters, imagining how they must have felt in 1941. What intrigues him is that Dora's disappearance does not coincide with the round-ups of French Jews, which did not begin until later the following year. So why did she vanish?

Indefatigably, he looks through records, searching for information. And remarkably, he finds a lot. Unlike the other four Modiano books I have read, which work obliquely by mystery and suggestion, this one is almost full-frontal. There is no question what ultimately happened to Dora Bruder, and the details make painful reading. Fact after fact after fact, not revealed in order, but squeezing Dora's life between them as in a slowly closing trap. Soon, there are no secrets left. Except one -- and that is the stroke of poetry that turns this painstaking history into a work of art.

[*I will give more information on this and a couple of other matters in the comments.]

3 of 3 people found the following review helpful.
"Vous aimeriez bien comprendre pourquoi."
By Thomas F. Dillingham
I had not heard of, nor read the work of, Patrick Modiano before the announcement of his Nobel Prize for Literature. Curiosity ensued. My first encounter has been with this curious book (both an odd work and one that explores deeply the nature of human curiosity), a cross between novella and brief, focused memoir. The voice of the narrator lets us know early that a determined search for information about the fate of a young woman, Dora Bruder, identified as being "missing" from her school in Paris, according to a notice posted by her parents in Paris-Soir on December 31, 1941 is to follow. Indeed, the narrative persists in a search through printed records, possible eyewitness sources and whatever else may reveal or bring to light the situation and circumstances of Dora's life after her flight from her school. Early in the work, the narrator states: "Il faut longtemps pour que resurgisse a la lumiere ce qui a ete efface. Des traces subsistent dans des registres et l'on ignore ou ils sont caches et quels gardiens veillent sur eux te si ces gardiens consentiront a vous les montrer. Ou peut-etre ont-ils oublie tout simplement que ces registres existaientt" And he concludes the thought with what might be the governing idea or at least a guiding motto for this narrative, "Il suffit d'un peu de patience." (Please excuse the absence of the proper diacritical marks.)

The narrator mixes details of his own life, both his youth and his recent history, with the details he uncovers and discovers from the various sources about the life (and death) of Dora and, for that matter, of both of her parents and vast numbers of others rounded up and deported to death camps by the occupying Germans.

This powerful exploration of, one might also say meditation upon, the possibilities of ever knowing with certainty what has happened to others, especially in the past, as well as whether what one remembers about oneself is real or accurate, and whether or how one may interpret the "evidence" of photographs, printed records, identity papers, etc., appears to be one of the recurrent themes of Modiano's fiction. It is, perhaps, most precisely focused here (though I will have to read much more of his work to feel confident of this) because he has chosen a specific person who is not personally known to him, but whose fate he nonetheless wishes to establish. In the process, he recovers information about a number of other persons, also deported or otherwise destroyed by the "univers de boucherie et d'apocalypse" that was the European experience during the Second World War.

The narrator reflects on the art of fiction and the use, in classic novels, of coincidence, of the possibility of a kind of prophetic clairvoyance arising in a novelist who expends intense imaginative concentration on events--possibly actual events, possibly those only imagined: "cela fait simplement partie du metier: les efforts d'imagination, necessaires a ce metier, le besoin de fixer son esprit sur des points de detail--et cela de maniere obsessionnelle -- pour ne pas perdre le fil et se laisser a aller a sa paresse -- toute cette tension, cette gymnastique cerebrale peut sans doute provoquer a la longue de breves intuitions "concernant des evenements passes ou futurs" (p. 53). And that is a pretty good description of the narrative procedure of Dora Bruder. It is a fascinating sojourn with the mind of a master detective, a profoundly intuitive and ratiocinative mind, devoted to exploring the nature of human experience in times of extremity. The very nature of human identity--challenged by fear and oppression, forced into disguise and self-denial in the face of threats, transforming the self from a familiar to an alien entity while retaining some degree of consciousness of the necessary deception and the underlying truth--all these are aspects of Modiano's narrative, and all contribute to the emotional and intellectual impact of this wonderful work.

3 of 3 people found the following review helpful.
A Masterpiece
By F. McGavran
Dora Bruder is the story of a teen aged Jewish girl in Paris during the German occupation, who ran away from a Catholic school where she might have been safe. Only a few records and photographs of Dora and her parents survive, all with no reason for her escape, her return to her parents, her subsequent return to the school and her second escape. Shortly afterwards Dora and then her parents were arrested and sent to Auschwitz. Patrick Modiano weaves Dora’s story with his search for the truth about his father, also a Jew, who mysteriously survived arrest himself, possibly because he was working with a criminal organization that was part of the French Gestapo. By compressing the Holocaust into the story of one girl, her family, and his own life and memories, Modiano expresses the horror and compels our compassion and understanding. This is a masterpiece.

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Sabtu, 11 Agustus 2012

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  • Sales Rank: #6950142 in Books
  • Brand: Animewild
  • Published on: 2010-07-01
  • Binding: Tankobon Hardcover
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  • Sales Rank: #3411959 in eBooks
  • Published on: 2015-12-20
  • Released on: 2015-12-20
  • Format: Kindle eBook

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Rabu, 01 Agustus 2012

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Two new coursebooks for the Geography for the IB Diploma syllabus. This lively coursebook covers the four compulsory topics of the Core theme, Patterns and Change, in the Geography syllabus for the International Baccalaureate (IB) Diploma Programme. It is written in clear, accessible English by a highly experienced author and former head of Geography at a major IB school in the UK. The coursebook contains: key questions outlining the issues for each topic; case studies selected from every continent; activities and geographical skills guidance; discussion points and research ideas; integrated Theory of Knowledge links; examination-style questions; definitions of key terms and useful web links.

  • Sales Rank: #1571161 in Books
  • Published on: 2010-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.87" h x .55" w x 8.62" l, 1.80 pounds
  • Binding: Paperback
  • 296 pages

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0 of 0 people found the following review helpful.
Five Stars
By 007
Excellent book. Excellent condition

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This monumental new book explores the recent history of exhibition-making, looking at the radical shifts that have taken place in the practice of curating contemporary art over the last 20 years. Tracing a history of curating through its most innovative shows, renowned curator Jens Hoffmann selects the 50 key exhibitions that have most significantly shaped the practice of both artists and curators. Chosen from the plethora of exhibitions, biennials and art events that have sprung up across the world since the 1990s, each exhibition reviewed here has triggered profound changes in curatorial practice, and reanimated the potential of contemporary art. The book includes an international roster of curators, and exhibition venues that span the globe, from the USA, Mexico, Brazil and South Africa to France, Germany, the Netherlands, Turkey and Spain. It is comprised of nine themed sections, including: "New Lands" (on shows such as Magiciens de la Terre, The Short Century and After the Wall); "Biennial Years" (which documents influential biennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); "New Forms" (including experiments in exhibition-making such as Do It and NowHere); "Others Everywhere" (on ‘identity politics’ shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); "Tomorrow’s Talents Today" (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and "History" (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!). A bold proposition for the future of exhibition culture as well as a means of making the recent past accessible, Show Time is essential reading for any student of curating or museum studies, for professional curators and for all those interested in one of today’s most dynamic forms of cultural production.
Jens Hoffmann is an exhibition maker and writer based in New York. He is Deputy Director and Head of Exhibitions and Public Programs at The Jewish Museum, New York. He has curated and co-curated a number of large-scale exhibitions, including the 2nd San Juan Triennial (2009), the 12th Istanbul Biennial (2011) and the 9th Shanghai Biennial (2012).

  • Sales Rank: #491056 in Books
  • Published on: 2014-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x 1.00" l, 2.95 pounds
  • Binding: Hardcover
  • 256 pages

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25 of 26 people found the following review helpful.
A total waste of money
By Florian
A total waste of money. I was expecting a range of good documentary illustrations of these exhibitions, alongside some (brief) introductory essays discussing the importance of each exhibition. This seems a totally reasonable expectation. What I received was a book that literally seemed to have been created by an algorithm: aside from the briefest of blurbs on the exhibition (more detailed information could be sourced off wikipedia!), the rest of the text was just a laundry list of names and numerial data on each show that seems completely useless for 99% of readers, whether those in the art world, in academics, or just a curious public. All this might have been acceptable if it had been a picture book of excellent illustrations, but here too it was awful: each exhibition gets a single, usually unrepresentative illustration. Between the short and awful text, and the few and awful illustrations, I felt like I had just wasted $35. Seriously, you will get better information through a random web search than you will find in this book.

At the same time, I had ordered "Biennials and Beyond: Exhibitions that Made Art History: 1962-2002" by Bruce Altshuler, and that - while more expensive - is absolutely everything that this book was not. The illustrations within Altshuler's book are many and well-represent the exhibitions, and his ample texts are clear and authoritative. His is the book you want. It's beautiful and scholarly both. Hoffmann's is neither.

I have immense respect for Hoffmann's work as a curator, so I have to believe this book was something that was basically thrown together by unpaid interns which he then put his name on. Unfortunate.

2 of 3 people found the following review helpful.
Recommended!
By Patrick1
I recently discovered Show Time on Amazon but ended up buying it from my local bookstore. Overall this publication packs a huge amount of information in a concise, affordable package. It serves (for me) as an excellent introduction to the most important contemporary art exhibitions of the past twenty years. Depending on where you are coming from you may not agree with all the choices or feel that it doesn't dive deep enough into the critical reaction to the shows themselves, but if you simply want to get a crash course on the state of the contemporary art exhibition this should be your first stop. The book's design is a bit dry and I do wish it had more reproductions to flesh out the experience, but overall I think it is is one of few publications that covers such ground in a wide reaching way. I also found the roundtable interview to be quite interesting as well. Given its directness, I imagine it should be extremely useful to both undergraduate and grad students.Along with Salon to Biennial, Biennials and Beyond, On Curating, and A Brief History of Curating, Show Time is definitely recommended for anyone interested in contemporary art, curating, and global exhibitions.

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